Reformation and revolution always takes costs. Especially when they are big ones that rock the society in a whole. And such change has precisely been the thing that has been prevailing Samuchim (the Korean traditional music society in KMLA) has been experiencing for the last two months or so.
It all began with the KMLA principal Yoon Jung Il's great interest in turning the KMLA Sponsorship Concert into a successful one. Unlike last year's KMLA Sponsorship Concert (which was mainly consisted of students' parents performing and wasn't really that much successful in making people "sponsor" KMLA), he started to emphasize the students themselves getting involved in the concert, and there were even pamphlets made to advertise the concert.
And many clubs that were participating in the KMLA Sponsorship Concert started to receive great support from the school. Samuchim, of course, was not an exception to this. An outside teacher named Baek Yong was invited.
The photo of Samuchim at KMLA Sponsorship Concert |
On the first day of his lesson, the instructor asked for our club to "play something." After listening to the music for just two minutes, he called us to a halt, and said that we had to "start from scratch." The seven months of practice we did prior to meeting him was considered as nothing.
That was how the frantic preparation for the Sponsorship Concert has started. Samuchim received permission to not participate in the first self-study period in every Monday, Tuesday, and Wednesday. Every week after the mid term exam, 6 hours of time were sacrificed for learning Korean traditional music beats.
The beats that he taught to us, they were literally "eye-openers." So far, Samuchim has been playing a beat that was extremely simplified so we could easily learn them over a relatively short time. Now, the instructor was feeding us with truly "traditional" beats that are passed down in rural regions of South Korea.
And in the process of such revolution taking place, I have to admit, there were pains. A large chunk of Samuchim was angry with the instructor being so demanding and the practice taking away too much of their self-study time. Everybody was so nervous in memorizing the beats, and those who made errors in their beats were severely criticized by other Samuchim members.
Members of the Samuchim (After the performance in Minjok Festival) |
Two months passed with such nervousness and reign of pain. The time of KMLA Sponsorship Concert performance has finally come. On November 19 2011 at approximately 4:40 P.M., in the backstage of Gyedang Hall were the Samuchim members, solemnly preparing themselves for their turn.
The performance was a great success. We were welcomed with fervent applause from the audience. The teacher, who has been so cold and harsh to us until now, hugged each and every one of us after the performance.
Samuchim after the concert (The adult standing at the last line is the teacher) |
The KMLA Sponsorship Concert meant something more than a mere "experience" that taught me how to do hard Korean traditional music beats to me.
Samulnori (the name of the Korean traditional art that Samuchim performed) is a form of music that require harmony amongst instruments based on high level of individual performance. And throughout the two months of practice, Samuchim has taught me how to be a member of a team and the importance of each and every constituent in bringing about harmony inside the society.
Also, after two months of pain, the members of Samuchim found the bond amongst themselves to become much stronger than before. The group that used to be so cold and disconnected before is now planning to have a meal together after the final exam as a celebration for the successful ending of the music performance.